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Installation Work

Overview of Practice 

2024
 Materials To Build A House
A ROKONAINK, All Our Relatives
Growing Womb
Waiting Room
  → I SPY, Terra Forming
  → Ancestor’s’ Table
  → Chromatica
  → Stock Home Syndrome   

2023
  →  Colonial Curiosties
  →  Spring in the City
  →  Good Mourning Festival
 
2022
     →  Liminality
    →  misc process work

2021
    →   Rainbowind Canopy
   →  Mars Is Melting

2020
   →  A Southerner’s Map
   →  Dear Joyce,

2019
   →  Ruminations
   →  Uncanny Landscapes

2018
   →  Where is the North?
   →  The Group at Play

2016
   →  Welsh Landscape
   →  My Relative Life,










Chromatica,(2024)

Originally shown as multiple small pieces displayed together for an installation at the Good Mourning Festival (Toronto 2023), the work has found its way into its final formation entitled Chromatica. The sculpture is created with rocks from Toronto's shoreline that have not been altered or coloured in any way. The formation and colouration of these rocks result from a unique part of this land's history.

Sometime in the late 1950's the Toronto Harbour Commission initiated a project to use the city's Development Industry by-products (building demolition) to build out the land and create a commercial use port, an idea that never fully realized. Now known as the Leslie Street Spit, the land re-wilded into a significant ecological zone, colourfully scattered with our past. 

The sculpture Chromatica is displayed on the floor.
The composition is intentional yet ambiguous and bears resemblance to a rug, a map, a blueprint, or even a landscape. As usual, the artist leaves space for multiple interpretations.





This is a collective experience.